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Storyline:
Gary, an actor who plays a cop on television, uses too much lighter fluid when he burns his ex-girlfriend's things, then he drinks and drives, uses crack, and crashes his car. He sobers up in jail and is placed under house arrest and the watchful eye of a publicist, the cheery and tough-minded Margaret. She moves him into the empty house of a writer who's away in Canada on a shoot. Gary meets Sarah, an attractive and seemingly-willing neighbor. His friendship with Margaret blooms and strange things happen: he finds notes he doesn't remember writing, he hears noises, and he seems to bump into himself in the kitchen. Two remaining chapters reveal what's going on.
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Comments
retrospartacus
Extremely well-written, John August should be commended for another thrilling, tri-segmented plot a la GO. Ryan Reynolds is the true surprise, carrying the film on his shoulders in a manner (having only seen him in VAN WILDER and JUST FRIENDS) that I did NOT expect. Melissa McCarthy was excellent -- her publicist character was particularly great -- and Hope Davis as the Development VP in the second part was absolutely terrific. Clearly inspired by real people.
Ultimately, I think the film suffers from a botched resolution. Like SUNSHINE (from earlier this year), I felt like all of the potential simply loses steam towards the end of the film. I guess it's just all wrapped up a little too neatly for me -- particularly the final scene with Melissa McCarthy and Elle Fanning making pancakes.
Cheeseball.
But overall, THE NINES is such a refreshing break from the poorly written/acted/directed summer blockbusters (ahem, TRANSFORMERS) that this is a must go in my book.
Extremely well-written, John August should be commended for another thrilling, tri-segmented plot a la GO. Ryan Reynolds is the true surprise, carrying the film on his shoulders in a manner (having only seen him in VAN WILDER and JUST FRIENDS) that I did NOT expect. Melissa McCarthy was excellent -- her publicist character was particularly great -- and Hope Davis as the Development VP in the second part was absolutely terrific. Clearly inspired by real people. Ultimately, I think the film suffers from a botched resolution. Like SUNSHINE (from earlier this year), I felt like all of the potential simply loses steam towards the end of the film. I guess it's just all wrapped up a little too neatly for me -- particularly the final scene with Melissa McCarthy and Elle Fanning making pancakes. Cheeseball. But overall, THE NINES is such a refreshing break from the poorly written/acted/directed summer blockbusters (ahem, TRANSFORMERS) that this is a must go in my book.